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Posts Tagged ‘Art’

The Visible Horse

Visible Horse

Visible Horse

     When I was growing up with my horses, I was passionate about drawing them. I was not very good at it, hence my becoming a photographic artist. I started with the form as I saw it and wondered why the legs looked all wrong and the shading was somehow “off”.  I found a wonderful book by Sam Savitt that unlike all the other books on drawing horses that emphasized circles and lines concentrated on the skeletal and muscular anatomy of the horse.  The light went on in my head and my horses developed some beauty as they galloped and reared on the pages of my sketch book. When I joined the veterinary science 4-H club, I was fascinated with the intricacies of what truly “formed” the horse.

     I was blessed to live in Tucson, where Al Marah introduced me to the Arabian breed. Although I’ve yet to own one, I’ve managed and trained on Arabian ranches, and have enjoyed the breed on other ranches I’ve worked on…and many of the horses I photograph are Arabs. Bazy Tankersly and her horses intrigued me, as most of my horses were Quarter Horses and the Arabian was so different. In addition, I was an ardent fan of Marguerite Henry (author) and had read about the foundation sires in King of the Wind a couple dozen times by the time I was 12. The first crush I remember having on a horse was Mrs. T’s Canadian Beau…a stunning bay stallion with a heart of gold and a truly sane temperament.

Visible Horse: Skeletal side

Visible Horse: Skeletal side

      Somehow I’ve never bought or been gifted with the Invisible Horse model that I’ve seen for years, nor as yet do I own the Breyer model of the Visible Horse. But I have been blessed to see a living vision, a visible horse painted onto a champion Arabian, moving from a stand through the walk, trot, and canter as it was presented at Al Marah a couple of months ago. I don’t believe there was a person in the audience, from child to experienced equestrian, who did not learn something from Susan Harris’s presentation. God bless Susan Harris for not only her creative vision but for traveling around the world to paint horses everywhere for us to see and learn from. Now I KNOW why horses get “cinchy”, beyond any knowledge or intuition I had previously, as well as a deeper knowledge of why it is so important to keep your horse active to condition it properly.

Visible Horse: Musculature

Visible Horse: Musculature

     When the arena presentation was over, I asked if the horse might be able to come into the sun for some formal portraits as the shaded arena had not allowed for great photography. Very kindly, one of the Al Marah staff accommodated the request and immediately a couple dozen cameras and cell phones came out to document this living work of art. Hoping to photograph the horse in action as well, I also requested that the horse be put at liberty in a small arena.  A few minutes later, I was in the arena with him and two wonderful gals who moved him around while I photographed him at the trot and canter. I got down low and created some head portraits and worked to create an image that would allow the viewer to see both sides of him at once. This was very challenging, as he was distracted by all the action and crowds outside the arena and was at liberty. I only had two micro-moments when he turned quickly and I saw THE image I was hoping for. The resulting image is the one at the top of this entry.

     I do not know the name of the horse or of it’s owners. I hope to find out so I can gift them with a print. Susan is on an extensive tour, and I will be contacting her to show the images to her to see if she’d like to use them on her website and promotional materials. She is a treasure and the people who host her, offer their horses, and assist her in the painting of them are gems as well. I encourage you to visit Anatomy in Motion to learn more and to see if Susan is coming to your area. If she is, grab your local pony club, 4-H group, riding club and a herd of your friends and go!

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Living Art: Calf

Living Art: Calf

     Miracles in the “ordinary”. Art in the “mundane”. Blessed inspiration for the creative spirit. These images dance at the at the edge of my vision and catch my attention. When I turn to acknowledge them, they are revealed with focused clarity through the veil of this often chaotic world. My love for all things living comes to rest on this one living piece of art. In gratitude, I accept the gift and bring a photograph home with me to share with the rest of the world.
     In the dark livestock barn at the local fair, this young calf lay in a small beam of light that had found it’s way through the roof. It was a chilly, breezy day and the calf was curled up in this one sacred spot of warmth and sunshine. I wanted so much to kneel beside it and run my hands through it’s soft coat, but knew that would cause it to awaken and these fair animals get so little sleep. Instead, I quietly moved closer and composed this image. This image reminds me to find the blessing of calm places that live in even the most chaotic environments.

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Texture from Ruidoso, NM

Texture from Ruidoso, NM

 

     Textures. We see them, feel them, incorporate them into our images. I treasure them. Every nuance and gesture, movement of light and shadow that paints them. I bring them home as artifacts from my texture treasure hunts. And when I’m on assignment, I can’t help bringing some home tucked into my image files like gems in my pockets.

     Often, they are a work of art “intact”. Perhaps I’ll crop in to a particularly interesting section and enhance the image, massaging it gently until it feels like I felt when I brought it into my heart rather than just what the camera captured. They become canvases for other images to nestle into, backgrounds for design projects and I play with merging other images into them with Photoshop’s blending modes.

     Can you tell what this texture is created from?

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Panel 101: Cadeau du Cheval Mural

Panel 101: Cadeau du Cheval Mural

 

This press release was issued Thursday, September 18, 2008

(The print of the mural mentioned below is available through http://www.muralmosaic.com/Horse . When Lee recieved her artist copy, she very generously mailed it to me as a gift. Lee and I have become friends over the last year and we continue to collaborate. I look forward to more adventures with her.)

Cadeau du Cheval Mural:  Art and Photography

 In May 2008, Lori Faith Merritt was contacted by Lee Mitchelson (a renowned artist in Flagstaff) to provide photography for her submission to the amazing mural project, Le Cadeau Du Cheval.  She chose to represent the Morgan horses of Almanzo Wilder (Laura Ingall Wilder’s husband). Lori Faith scheduled a special photography session with a man she had photographed several times in Tucson, with the interesting name Robert Morgan, who has several Morgan horses. The resulting image was painted by Lee and is included in the mural at the juncture of the flank of the mural horse.

 The resulting mural wall is an amazing collage of art by many artists. The mural website says there will be a print available of the wall soon, and it is said they are working on a coffee table book. The wall is now in Canada, and will be touring.

 From artist, Lee Mitchelson:

I needed an extraordinary horse photographer with the gift of faith, someone who would be open to my ideas and willing to be trusting of me for some artist collaborations. I saw Lori Faith Merritt’s name. That was intriguingly appropriate. I saw perfect instinct in her work. Our professional relationship fell into place immediately and so did our kinship.

Lori works with such gut-level involvement that she is inside what she is photographing. She trusts her own judgment and she is a believer in possibilities. That translates into the faith I need. As an artist, I have collaborated in years past with a world-famous equine photographer as an illustrator for his books. I mention this only because those clever photographs have been for me completely surpassed by Lori’s work, and she has done it without the need to enhance or contrive anything to make horses different than the enchanting beings they naturally are. I have asked that she consider using me to illustrate her books when she publishes them! She brings something more to it. Maybe the warm and timeless breath of the warrior-angel horses are beside her. The raw beauty of Lori’s Mustang photos goes so far beyond what I can easily speak of. It feels like the hand of God on the back of my neck, like electricity, to see something I understand and love shown such honor. Primal.

Please visit this link to read more about the mural and the artist: http://www.muralmosaic.com/Horse/Panels/101.html

Lee’s website is http://www.mitchelsonsmountaingallery.com

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Cowgirl's Reflection

Cowgirl's Reflection

    A few years ago I attended a photography workshop with Jay Dusard, who is an iconic cowboy/western culture photographer, at the (former) Portreros Ranch in Tubac. In the early morning light we had two models in western garb with their horses available to us and we were working with the man as he moved in and out of the light of a large tree. I maintain awareness for opportunies other than what is right in front of me and I turned in a circle to see if I was missing anything. Often, my favorite images come from the space “around the main picture” and this example is one of those images. Waiting her turn, sitting easy in the saddle with her face turned up to the morning light, was our other model…both horses relaxed and her obvious enjoyment of the coming warmth on this chilly morning evident. I moved away from the group quietly to better compose the photograph and created this image, titled Cowgirl’s Reflection.
     I approached Jay and showed him what I was seeing. The morning light was just right to create a reflection on the still pond by the barn. The next 15 minutes or so were spent as a group photographing the model as she stood and rode on the other side of the pond, as we enjoyed the beauty of the scene.
     This image has a dreamy quality. What most people don’t see right away is that the reason for the mysterious feel of this photograph is this: It is upside down, showing the reflection in the water only!
The Cowgirl's Looking Glass

The Cowgirl's Looking Glass

    
The second photograph was made a few minutes later. Which one is your favorite?
 
 

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Flowers in the Santa Catalinas

Flowers in the Santa Catalinas

     I have lived in Tucson since 1969 with the Santa Catalina mountains as the backdrop to much of my life and a sanctuary for my soul. I was devastated when the mountains endured horrific fires in 2002 and 2003. This year during one of my visits, I was walking through the forest just east of my beloved Girl Scout camp, Whispering Pines, and gathering images from the mountain like a bouquet to bring home with me. There is still a feeling of loss although I can feel the re-birth.
     I came upon a fire burned trunk of a pine that had exploded in the heat. The entire center of the tree was gone and all that was left was about three feet of what was once a magnificent sentinel. Coming through a crack in the bark was a small bouquet of flowers, the roots grounded in the soil and mulch of the tree’s center. I was transfixed, exultant, blessed. I knelt in front of this small miracle and let the tears com, my spirit deeply touched and somehow renewed.
     This was the most beautiful bouquet I gathered on the mountain that day. The beauty of the flowers live in my heart.

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Georgie and Sam Heading Out

Georgie and Sam Heading Out

     During the Heart Session I did with Cowboy/Cowboy Poet Georgie Sicking, I created this image of her and my good friend’s fiance Sam Scott (Diane Tribitt’s beau) when they were heading out to enjoy a ride in the desert in Florence, AZ on February 9, 2009. Titled “Heading Out”, the brilliant blue sky with gold tones of dust and horse blended to make a piece of art that moved my heart to share it with Margo Metegrano of cowboypoetry.com. This month, the photograph is featured in her Art Spur project, published on cowboypoetry.com here: http://www.cowboypoetry.com/artspur.htm  Please visit cowboypoetry.com (you’ll get addicted!), follow the poems that come in for Art Spur and while you are there if you start clicking on the poet’s pages and gathering reports, you are bound to come across a bunch of the images I’ve donated to the site over the last few years.
     Diane Tribitt will be using this image as the cover for her upcoming new poetry book, also. Diane is a Minnesota poet, writer, and rancher and she was present when the photo was created. Georgie is a dear friend of hers. She’s also the Senior Executive Editor of “I.M. Cowgirl” magazine (www.imcowgirl.com). Her latest CD is “Ranchin’ Rhymes.” Read more about Diane Tribitt and her poetry at www.dianetribitt.com. 
She wrote a poem inspired by Georgie and this image, which I’m honored to share with you here:
Headin’ Out

Throughout her life she’d been condemned
for havin’ cowboy dreams
But she fulfilled her destiny,
enduring all extremes

She lived for ropin’ cattle, and
she roped ’em with be best
Tied ‘t burrows, cows and mustangs,
surpassing every test

She’s thankful God has blessed her with
the opportunity;
for cowboys who had taught her and
a mom who’d set her free

to live the life she dreamed of
with horses, cows and rope
as a lady and a cowboy,
on horizons brimmed with hope

She taught her kids to understand
the only life she knew
and blessed them with the gift of being
“you, and only you”

Each time she passed the reins to them
she made sure she was near,
yet far enough away from them
they wouldn’t sense her fear

She has loved some horses dearly
and disliked quite a few
She has lived by cowboy ethics
Honest, loyal, tried and true

Though she is blind, now, she still sees
what some refuse to see
for her soul was borne of nature
and her spirit’s proud and free

She was born to be a cowboy
and there ain’t any doubt,
When most old hands are headin’ in
they’ll meet her, headin’ out

© 2009, Diane Tribitt, All rights reserved

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